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Balancing Acts: Behind the Scenes at the National Theatre

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    Available in PDF - DJVU Format | Balancing Acts: Behind the Scenes at the National Theatre.pdf | Language: ENGLISH
    Nicholas Hytner(Author)

    Book details


** BBC Radio 4 Book of the Week **

You start with a vision, and you deliver a compromise. You want a play to be challenging, ambitious, nuanced and complicated. You also want it to sell tickets. You want to make art, and you know you’re in show business. These are some of the balancing acts that the National Theatre, and this book, is about.

This is the inside story of twelve years at the helm of Britain’s greatest theatre. It is a story of lunatic failures and spectacular successes such as The History Boys, War Horse and One Man, Two Guvnors; of opening the doors of the National Theatre to a broader audience than ever before, and changing the public’s perception of what theatre is for. It is about probing Shakespeare from every angle and reinventing the classics. About fostering new talent and directing some of the most celebrated actors of our times. Its cast includes the likes of Alan Bennett, Maggie Smith, Mike Leigh, Daniel Day-Lewis, Michael Gambon and Helen Mirren.

Intimate, candid and insightful, Balancing Acts is a passionate exploration of the art and alchemy of making theatre.

"A tremendous book about life in the theatre ― and theatre, and life. Honest, shrewd and heartfelt. A classic of its kind." (William Boyd)"Witty, waspish, and extraordinarily wise, it comes as no surprise to discover that Nick Hytner is every bit as good a writer as he is a director. Part fascinating memoir, part brilliant guidebook, Balancing Acts is also a record of how one man challenged and changed the way theatre is perceived in the UK, and with a few brilliant strokes – £10 tickets, live cinema broadcasts, and a dazzlingly inventive and brilliant repertory – created the first great theatre of the twenty-first century. For his description of what went into that quiet revolution, and for many other reasons, this wonderful book is essential reading." (Sam Mendes)"As the record of a great theatre dealing fully and richly with the past and finding new ways of holding a glass up to the present, it’s incomparably interesting... This book is immensely readable, full of vivid anecdotes, and rich with an intimate understanding of drama both classic and modern. I loved it, and I’m sure it will do very well." (Philip Pullman)"Nicholas Hytner gives a riveting account of his time at the National Theatre. “Nothing makes me happier” he writes “than to throw a party and sit on the edge of it.” It was a party, often a triumphant one, but he was at the heart of it. As was someone else: Shakespeare, about whom he writes superbly. Speaking for myself I’ve never had so much fun as working with Nicholas Hytner. This lovely book explains why." (Alan Bennett)"Witty and entertaining, [Hytner] has an ability to be serious without being portentous, and he’s able to tell a good story … Balancing Acts is both history and illumination … You don’t have to be interested in theatre or even in culture to enjoy this book … But if you do happen to be interested in one of the few organisations in Britain that actually achieves what it’s supposed to … then you’ll be delighted. What’s more, in the account of Hytner’s directing at least six Shakespeare plays … you’ll find yourself given a masterclass." (Richard Eyre Evening Standard)"[Balancing Acts] shows that [Hytner] can write extremely well. It is fuelled by the same clarity and intellectual pizzazz that are the hallmarks of his productions… It shows so many of Hytner’s virtues: his unfashionable appreciation of the intelligence of actors, his boundless fascination with Shakespeare, his belief in the magical power of theatre… It’s a wonderful book: stimulating, intelligent, gossipy, heartfelt, affectionate, honest and, perhaps above all, fun." (Craig Brown Mail on Sunday)"Vivid, engaging, alive with anecdotes and continually invigorated by ideas." (John Carey Sunday Times)"Hytner digs up plenty of absorbing material, reminding us that running a major arts organisation is a high-wire performance that features the continual risk of career-ending injury… It should be read not simply by anyone who has an interest in British theatre, but anyone interested in that oldest of questions: how you make art that sells... Engagingly open... astute and unsentimental... His insights on Shakespeare and Bennett are worth the price of the book alone." (Andrew Dickson Guardian)"The book is what you might describe as a safe space for those who maintain, as I do, a deep-seated fear of theatrical memoirs … For one thing, there is his modesty … For another, there is his willingness, when necessary, to send up the theatre. … Balancing Acts reminds the reader, almost inadvertently, of the astonishing success the National Theatre enjoyed during the period he ran it … His book isn’t gossipy, but it is revealing." (Rachel Cooke Observer)"Revelatory … full of anecdotes about the terrifying art of bringing a play alive, and full of insight about the sheer daredevil tightrope act that running the National Theatre involves … A vital reminder both of what theatre can do – and what is at stake if we take it for granted." (Sarah Crompton What’s On Stage)"Hytner's recollections are full of such amusing insights... Hytner has produced a rare thing: an absorbing memoir by a director-turned-arts-administrator... The insouciance of Balancing Acts is magic dust, sprinkled by a master Oberon." (Anne McElvoy Standpoint)"Balancing Acts is a book with many insights and anecdotes, but if it has an overarching theme, it is that theatre is an art that should engage as wide a public as possible…From October, he will take all he has learnt and apply it to the running of the Bridge Theatre… Expect brief, brilliant fireworks – and a great second volume of memoirs." (Sarah Crompton Radio Times)"Balancing Acts… is a masterclass in creative leadership. It is as instructive about the challenges and compromises of running a large organisation as it about the process of putting on plays that change lives… Sir Nicholas’s prose is crisp and convincing, like his direction. He is candid about his limitations… Writing with unsentimental honesty, he ascribes to his many collaborators on the South Bank a brilliance that he denies himself… The result is an evocation of backstage life that is as engrossing as it is entertaining... If you happened to see the productions in question, they are vividly resurrected by the revelations of how they were put together. If you missed them, the regret is all the keener… The memoir is leavened with waspish wit: Sir Nicholas’s ear for comedy is as sharply attuned for the page as the stage." (The Economist)"Several times in Balancing Acts, [Hytner] makes it clear that he enjoyed a job he ends up saying he will miss. And his tenure was undoubtedly a success… One of Hytner's appealing qualities is humility, meaning he is often critical of himself... Hytner brings alive the pressures and rewards of running that concrete Oz on the South Bank and giving us brisk pen-portraits of actors… Hytner took his job seriously... He eschewed solemnity. He wanted fun… Perhaps the most balanced element of Balancing Acts is Hytner himself." (Benedict Nightingale The Times)"Hytner’s newly released book, Balancing Acts… is as far from luvvie-dom is as desperate late-night trip to your local McDonald’s. Instead, it offers witty and revealing insights into how our most famous theatre works… His legacy is a theatre that has never been so strong and innovative." (Jane Anderson Radio Times)"Hytner is, he says, never happier than sitting at the edge of his own party. Well, this memoir is his party. He may keep to the fringe, but it’s quite a do, with a wonderful guest list… His revelatory interrogations of Hamlet and Othello and even Timon of Athens, in which he had a go at fatcats who fund the arts, should be circulated in schools... Hytner is a lucid and urbane stylist and a pithy sketch-writer… This debonair defence of theatre - subsidised or otherwise - and all who toil in her is a rare and succulent treat." (Jasper Rees Arts Desk)"We are lucky… that people with Hytner’s intelligence, enlightenment and defiance operate on behalf of dressing up, showing off, treading the boards, despite official opposition… Hytner is also a first-class Shakespearean." (Roger Lewis Daily Mail)"A good gander behind the curtain of the National Theatre… From Alan Bennett to Mike Leigh, Daniel Day Lewis to Michael Gambon and Helen Mirren – Hytner tells stories of directing some of the most celebrated actors of our time. Lunatic failures and spectacular successes – all are here." (Nuala McCann Irish News)"This is extremely even-handed, but still pleasingly gossipy account of that time, from Harold Pinter calling him “a f***ing liar and a f***ing shit” to the time James Corden smacked Donald Trump on the bottom." (iNews)"Sir Nicholas Hytner was arguably the best Artistic Director that the National Theatre has had in its 50-year history… Balancing Acts is a most enjoyable series of memoirs recalling the highs and lows of the period. For those like this reviewer who saw almost all of the theatre’s output, it recalls many happy memories… this is also a reminder of so many more high points across all three auditoria, building to both the Golden Jubilee celebrations and the refurbishment and reconfiguration of the venue… Along the way, readers will learn a great deal about the art of directing plays as well as running a big business and getting along with those sometimes very touchy arty types who inevitably end up making a director’s life hell sometimes just for the fun of it… Balancing Acts is simultaneously a highly informative portrait of a wonderful institution, a fitting tribute to a great man who did his job brilliantly and a really good read. It comes highly recommended." (British Theatre Guide)"Hytner takes us, fascinatingly and often wittily, through many of the plays he himself directed and he writes warmly of some of the actors who have become National Theatre “regulars” and personal friends… The book is a joyful reminder of the excitement of some of this work. If you missed some or all of these shows, then this is a chance to learn about some pretty iconic productions." (Susan Elkin Ink Pellet)"Balancing Acts is an apt title, conveying the books attunement to the fine calculations of leadership while also capturing the author’s personal and professional style, a coolly judicious manner that can look like suavity, discretion, or aloofness… Hytner is both an enthusiastic and a rethinker, nimble and smoothly articulate yet capable of delivering a gimlet-sharp judgement… His prose has the kind of crisp specificity one might expect of an exacting civil servant… A memoir of this kind will tend to feel like an envoi. But this one resembles an advertisement. It presents a blueprint for artistic directors." (Henry Hitchings Times Literary Supplement)"Hytner’s book is the ultimate insider’s view… Hytner gives his readers an access-all-areas pass to the meetings, lunches, crises and rehearsals that propel a play to the stage… His talent as a memoirist is that he can be funny without being frivolous, revealing about his actors without being indiscreet, and high-minded without ever being pompous, all of which is itself an impressive high-wire balancing act." (John Nathan Jewish Chronicle)

3.3 (5938)
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Book details

  • PDF | 320 pages
  • Nicholas Hytner(Author)
  • Jonathan Cape (27 April 2017)
  • English
  • 10
  • Biography

Read online or download a free book: Balancing Acts: Behind the Scenes at the National Theatre

 

Review Text

  • By timallen on 13 May 2017

    I haven't finished the book yet but really enjoyed the first few chapters with many anecdotes about Hytner's work in the NT with many well known figures, especially, of course, Alan Bennett. However, I am finding the later chapters where Hytner sets out more of his philosophy about directing Shakespeare in particular and his views on the role of the director in general rather heavy going. He also includes quite large chunks of scripts which break up the flow.Hopefully, he will revert to the more gossipy, anecdotal style of the beginning of the book towards the end which I will find more interesting. It would also have been interesting to have had more (any) information about his family background, youth and upbringing although I realise that this is not an autobiography but rather an account of his time at the NT, although having said that, he does discuss making films in America so he does go beyond the NT at times.

  • By Brian James on 25 May 2017

    I have read Peter Hall's diaries which chronicle the almost daily conflicts, building problems, and union hassles that Peter Hall endured, and through his tenacity largely won many battles to get the National up and running in the first place. Nicholas Hytner's book seems to be rather a self-satisfiedrecord of his time there. However, were it not for the fact that Alan Bennett gave him some absolute ' gems ' to produce, and the cheaper ticket system that Hytner did indeed introduce, then things certainly have been more ' uphill '. I have worked for over twenty-five years teaching drama,and also working as a casual worker in the professional theatre too. I must have seen at least five hundred plays or more, and yet this book -which surely would attract ' those in the know ', seems at times to be explaining how a play is put together ( which most of the potential readers will know anyway), and therefore condescending in many areas. Fairly interesting but NOT a book that I would rush to re--read.

  • By Eric H. on 17 July 2017

    Even if you know next to nothing about theatre, let alone the South Bank doings, you will be drawn into the why's, wherefores and the effort that goes into bringing something worthwhile to the stage. This is a very personal view from the director of the original Miss Saigon before he landed the position at the heavily subsidised three-auditoria National Theatre. His film directing experiences are also eye-opening...His tenure at the National owes a lot to his fruitful collaboration with the genius that is Alan Bennett....You'll enjoy this, it's a good read!HIGHLY RECCOMMENED.

  • By john taggart on 9 June 2017

    Too little gossip and too little inside information about the workings of the National Theatre. Alas, Nicholas Hytner comes across as rather self satisfied and over absorbed in the world of theatre. The book might be useful for students studying A level English literature, but he loses the reader in the self importance of his work. I have found many of his productions over intellectual - you can see the cogs moving - and having read this book I can see why. The rehearsal period comes across as tremendously self indulgent. The films he has directed are rather pedestrian and he is honest enough here to show the reader why this might be.Read Peter Hall's diaries if you really want an insight into what the National Theatre is and should be , and also what great entertainment is about.

  • By W. Russell on 6 June 2017

    Interesting book about running the National with some good stories, although little about Hytner the man, but do I care or want to know about his private life and the answer is I don't. But the problems of running something like the National are really fascinating.

  • By Andrew J on 15 June 2017

    The book was a good read but I could not help but feel that more behind the scenes stories and information about actors would have made the book even more interesting. That said, I did enjoy it and would recommend it


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