Dead Man's Blues
A magnificent crime novel, at least as good as his stunning 2014 debut . . . His portrait of an edgy, sexy, corrupt, dangerous, deeply racially prejudiced city, where savage violence cohabited with exciting music, is totally absorbing (Marcel Berlins The Times)Celestin certainly doesn't short-change us on plot as his book centres on investigations into the disappearance of a celebrity heiress, the brutal murder (complete with gouged-out eyes) of a gangster and an attempt to poison a group of pro-Capone city dignitaries. But he also packs in enough details about the people, buildings, musicians and criminals of Prohibition-era Chicago to fill a fair-sized history book. He writes so vividly that at times I was convinced I could see 1920s Chicago in front of me and, even more impressively, he writes so well about music that I could virtually hear it. His first book was one of the best crime novels of its year and this sequel is even better. VERDICT: 5/5 (Daily Express)This is the sequel to the prizewinning The Axeman's Jazz . . . Under the constant threat of bloodshed, the three stories gradually weave together into an intriguing portrait of a time and a place . . . the historical detail is captivating . . . The young Louis Armstrong turns up, and his powerful, searching, explosive jazz pulses through the pages, a soundtrack to Ida's increasingly dangerous investigation (Spectator)Celestin's promise of two further instalments of this lively, jazz-based series can only be cause for celebration (Sunday Times) --This text refers to the Hardcover edition.
*An electronic version of a printed book that can be read on a computer or handheld device designed specifically for this purpose.
Formats for this Ebook
|Required Software||Any PDF Reader, Apple Preview|
|Supported Devices||Windows PC/PocketPC, Mac OS, Linux OS, Apple iPhone/iPod Touch.|
|# of Devices||Unlimited|
|Flowing Text / Pages||Pages|
|The message text*:|